by Keith M » Tue Apr 10, 2007 8:25 am
Great topic, Bob, lots of interesting answers. I think there's a few key things to keep in mind.
First, it is key to keep separate two different variables (that, alas) covary. There is first the effect of age (where folks have suggested either a general negative effect with sensory decline or no effect). There is second the effect of experience where two different effects have been hypothesized. First, experience may decrease the ability to detect TCA (as Victor has suggested) due to the subject adapting to the stimuli over time. Second, experience may increase the ability to detect TCA as David and Ryan has suggested. Resolving whether ability to detect TCA increases or decreases with exposure to TCA is, as they say, an empirical question. But my guess would be that Ryan and David are correct that the ability increases with exposure. I don't expect this is because our sensory organs actually become more adept at picking up the sensory elements of TCA. Rather, I think our brains become more adept at putting together fragmentary pieces of sensory information to categorize and identify what a given combination of sensations represents. So it isn't only the exposure to TCA, but the exposure to TCA knowing that it is TCA that builds a template of memory and experience in our brains. Then when we are exposed to indicators of TCA our brain needs less and less information to correctly identify the mix of sensations as TCA.
I have noticed this with regards to other senses. After an unfortunate incident on a bicycle, I noticed that I was much more conscious of my peripheral vision. Presumably the ability of my eyes to see did not increase, but the priority of those signals within my brain had likely increased. Similarly, they just had an article in the Economist on the acoustics of Greek theaters where they found that they were effective for conveying sound as the surfaces did not reflect sounds at a certain frequency--which left out non-useful sounds such as the wind, but also eliminated some frequencies of human speech. But it didn't matter because the theater patrons received enough sensory input from human speech to have their brains fill in the rest (without even noticing it). I have certainly noted this when learning foreign languages when I get frustrated because I think I need to 'hear' every word, when we often don't 'hear' every word in our native languages, our brains just fill in the gaps. If our brains are filling in the gaps for TCA, the association with past negative TCA experiences could actually increase the negative sensory experience with TCA--making you not only more acute to TCA but making each accumulating experience with TCA increasingly unpleasant.
So I think the thing that keeps TCA fresh is that powerful learned negative association with it.
As someone who has low sensitivity to TCA and rarely identifies it, I think this is a rousing call for TCA ignorance for people like myself. The more I learn how to experience TCA, the more likely I will be able to identify it and turn those marginal cases of TCA from what right now might be forgettable wines into undrinkable ones!