Paul B. wrote:TimMc wrote:Basically, I try to match both but I don't have a set plan to it. Make sense?
Tim, I'd say that in so far as the spontaneity of your choices of wine in that circumstance mirrors the spontaneity inherent to jazz (or "improvisation", if you will), then yes, of course it makes sense.
Cool.
Paul B. wrote:My example of the dry Niagara typically makes me think of musical notes that correspond to the aromatic characters I find in the wine. Put another way, the heavy oily character of Niagara makes me think of a bass line and a wistful trombone; the candy-sweet high-note musk makes me think of a very fine percussion motif in the background, or even towards the finish of a tune, when it simply ends off with a smooth percussive note.
Nice.
I like the way you describe the experience....I'll have to give it a try myself.
Paul B. wrote:Either way, it's all fun
True dat